- POULE J LINE PRINTEMPS 2014 SERIAL
- POULE J LINE PRINTEMPS 2014 SERIES
- POULE J LINE PRINTEMPS 2014 FREE
The transformation of forms and of materials creates a permanent illusion. The visual and aural tidal wave continues to sweep the stage in the face of the cosmic fury of Shiva who here finds a surprising incarnation that is simultaneously tribal and techno, concrete and abstract. She unleashes phenomenal energy when faced with the frenzy of the stage, which is destroyed and remade in a never-ending cycle of creation and destruction. Striking, terribly magnetic, with its suggestive power that is constantly renewing with the scenography, aSH radiates out from a hard core: Shantala Shivalingappa. This strange figurehead, too calm to be overwhelmingly dominant, is the mistress of the elements, playing the triggers and the lightning rods, matching the rhythm of the light to the tempo of her movements and the percussion of Loïc Schild that beats through the air. An immense, dark wave grows and climbs higher and higher, attacking the stage, halting right at the back of her slim silhouette which seems able to call forth the tempest and stop it at will. All in black, except for a bracelet of tiny diamonds, she emerges from the shadows like a flash of warmth streaking through the night. Shantala Shivalingappa is an expert in the traditional dance style of Kuchipudi that was created in the 15 th century in the State of Andhra-Pradesh, in the South of India.
POULE J LINE PRINTEMPS 2014 FREE
Each solo performance delivers up a fantasy vision, a free projection on the director onto the dancer. “Each performance, created alongside another artist, gives the collaboration genuine form,” explains Bory.
POULE J LINE PRINTEMPS 2014 SERIES
In 2008 the flamenco dancer Stéphanie Fuster was the first in the series with the delicate and pure Questcequetudeviens?, then four years later it was the turn of the Japanese dancer Kaori Ito who struggled through a forest of five thousand threads in Plexus (2012). The director of Compagnie 111, who is more accustomed to massive scenography, momentarily lightens the workload, by dedicating the performance to just one person. Playing until 1 st March, at La Scala in Paris, this sumptuously acrid solo performance, supported by the live music of percussionist Loïc Schild, is the third and final chapter in the collection of works by Aurélien Bory that since 2008 has been dedicated to choreographer-dancers. The title aSH was chosen for Shantala, for Shiva and for actual ash. His body is covered in ash and he wears a necklace made of skulls. Shiva is the divinity of battlefields and of cremation who creates as much as he destroys. In Shivalingappa, as he explains in the show playbill, there is Shiva, god of dance and of death in Indian mythology. In creating aSH, a striking antiportrait of the dancer Shantala Shivalingappa, the director Aurélien Bory didn’t have to look very far to find his subject. All rights reserved.The theme was easily found. (Predictive Value of Allen's Test Result in Elective Patients Undergoing Coronary Catheterization Through Radial Approach NCT00597324).Īllen test capillary lactate transradial intervention ulnopalmar arches.Ĭopyright © 2014 American College of Cardiology Foundation.
Given the multiple implications of our findings, a broader clinical validation is needed. This study provides proof of concept for a paradigm shift in cardiovascular intervention, suggesting the safety and feasibility of TRA across the whole spectrum of AT results. Handgrip strength test results and discomfort ratings did not differ across AT groups.
Plethysmographic readings showed improvements of ulnopalmar collateralization in patients with non-normal AT results, whereas the ulnar frame count was decreased, suggesting enhanced ulnar flow, in patients with abnormal AT results after TRA. Lactate did not differ among the 3 study groups after the procedure (1.85 ± 0.93 mmol/l in patients with normal AT results, 1.85 ± 0.66 mmol/l in those with intermediate results, and 1.97 ± 0.71 mmol/l in those with abnormal results p = 0.59) or at other time points during the study.
POULE J LINE PRINTEMPS 2014 SERIAL
Patients underwent serial assessments of thumb capillary lactate (the primary endpoint), thumb plethysmography, and ulnar frame count to investigate the patency of the ulnopalmar arches, as well as handgrip strength tests to examine the isometric strength of the hand and forearm muscles and discomfort ratings. No prospective assessment exists on the safety and feasibility of TRA across the whole spectrum of AT results.įrom October 2007 to June 2009, a total of 942 patients undergoing TRA were screened, and 203 were recruited, of whom 83, 60, and 60 had normal, intermediate, and abnormal AT results, respectively. Whether the AT can predict ischemic complications after transradial access (TRA) is controversial.
The aim of this study was to investigate the safety and feasibility of transradial coronary catheterization across the whole spectrum of Allen test (AT) results.
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